There nine sisters rule by a pleasing set of laws those who come to them from our country. She who is first of them is more skilled in the healing art and excels her sisters in the beauty of her person. Morgen is her name, and she has learned what useful proprties all the herbs contain, so that she can cure sick bodies. She also knows an art by which to change her shape, and to cleave the air on new wings like Daedalus; when she wishes she is at Brest, Chartres, or Pavia, and when she wills she slips down from the air onto your shores. And men say that she has taught mathematics to her sisters, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thitis; Thitis is best known for her zither. 1
Across Celtic lands, we find accounts of holy and learned women who often dwelt together in groupings of nine; they possessed many gifts, including the power to heal, to serve as oracles, and to change their shapes. Some worked weather magic and could calm the ocean. Others engaged in ecstatic rites, and were devotees of a divinity whose temple they tended. Some lived on islands surrounded by dangerous waters or deep in forests dripping with enchantments. Others dwelt in sacred enclosures or in Otherworldly fortresses. Some of these groups, which I collectively call Ninefold Sisterhoods, are known to us from the historical record, while others are found only in legend and folklore. All told, while we know very little about these holy women, we can discern patterns of connection between them.
Roman histories speak of two groups of Gaulish Celtic priestesses—the ninefold Gallizenae (Pomponeus Mela, 1st century CE) and the Namnitae (Strabo, after Posidonius, 1st century BCE)—dwelling in isolation on Holy Islands off the coast of France. Their cloistered collectivity, their possession of a variety of powers and skills, their service to their people even in their isolation, the necessity of undertaking a perilous journey to consult with them, bear similarities to Ninefold Sisterhoods found in later lore.
Groupings of nine women are found in a variety of magical and religious contexts in Celtic lands—some historical, some legendary. These include: the Nine Sorceresses of Larzac whose names were inscribed upon a Gallo-Roman curse tablet; the Nine Witches of Ystawingu and the Nine Sorceresses of Caer Lowy, both from early Arthurian tradition; the Nine Maidens of Annwn from Welsh mythology, and the Nine Maidens of Donegal who were the sainted daughters of Saint Donald in Scotland. Germanic tradition features the Nine Daughters of Ran (also called the Nine Wave Sisters), the Nine Mothers of Heimdallr, and the Nine Giantesses of the Mill. Finally, the Nine Muses of Greek mythology is probably the most well-known iteration of these Ninefold Sisterhoods.
There is no clear explanation for the widespread existence of these Ninefold groups, and, it is possible that they are culturally specific iterations of a religious expression—whether originally a grouping of deities or a specific devotional manifestation featuring enclaves of nine priestesses—that originated in the Indo-European Mother Culture from which the Celtic, Germanic, Greek, and Roman cultures (among others) arose. Alternatively, this religious expression may have arisen among one of these cultural groups and spread to the others long after they split off from from their culture of origin. However, I believe it is more likely that these groupings reflected cultural associations with the number nine that likely has its roots in the Indo-European Mother Culture.
Perhaps the nine months of gestation that precedes childbirth explains nine's apparent link with women and magic, which expanded to inform a cultural connection between the number nine and concepts of completion. This in turn seems to have underscored a cultural understanding that nine represents a full set of something, perfection, and a wholeness. Groupings of nine occur over and over again in various IE-derived cultures—from the number of people in an Irish war band to the number of component areas that make up a medieval Welsh household, to the Nine Worlds that define Germanic cosmology.
The number nine is has been connected to Avalon since the very beginning. Avalon entered the literary record through the writings of the Welsh-Norman historian Geoffrey of Monmouth. In his 1150 poem "Vita Merlini" ("The Life of Merlin"), he describes Avalon as a paradisiacal island that is ruled fairly by nine learned sisters. They possess the powers of healing and shapeshifting, and are well-versed in mathematics and music. Chief among these nine sisters is Morgen, who receives the mortally-wounded Arthur into her care.
As the Arthurian story tradition evolved over time, these nine sisters faded into obscurity as Morgen increasingly took center stage as the character better known as Morgan le Fay. Avalon remained a place of women's magic, however, and is described in various tales as being home to Otherworldly Ladies of the Lake, or the dwelling place of enchantresses—and always as the Island of Healing that receives Arthur at the end of his life. And yet, it is this Ninefold Sisterhood of Avalon appearing in the earliest accounts of Avalon that serves to connect it with a powerful stream of tradition that is related to historical and mythological accounts from other Celtic lands and beyond.
The idea of the number nine representing a wholeness is powerfully resonant with Avalon; Geoffrey of Monmouth describes the island as being able to produce all that it needs of its own accord, without anyone having to work the soil. Those that dwelt on Avalon were whole in body—youthful and long-lived. Likewise, being able to meet one's own needs—physically, mentally, and emotionally—is very suggestive of being whole and complete in and of ourselves. This in turn relates to the concept of Sovereignty.
A motif found primarily in Irish, Welsh, and Arthurian tales, the Sovereignty figure (typically a tutelary Goddess her proxy) grants the right to rule over her lands to the kingly candidate that she finds worthy; this rulership can also be rescinded should the king become unworthy. In his Historia Regum Britanniae, Geoffrey writes that Caliburn—the sword of kings that would eventually become known as Excalibur—was forged on the Island of Avalon. Later Arthurian tales show Arthur receiving Excalibur from the hand of the Lady of the Lake herself, and after his last battle at Camlan, the mortally wounded king instructs Sir Bedevere to cast the sword into a nearby lake, where it is received into the hand of the Lady of the Lake once more.
Just as Avalon appears to have played a role in the conference of Sovereignty, so is the modern Avalonian Tradition (as practiced by the Sisterhood of Avalon) rooted in the concept of personal Sovereignty, which we define as "conscious self-determination." This ethic of individual and collective empowerment guides our approach to our spiritual work and the ways we seek to engage in devotional relationships with the Holy Isle, its Guardians, and its Gods. Nowhere is this commitment to Sovereignty more pronounced than in the manner by which we undertake our service as priestesses.
When we consider what we know about the gifts and powers that have been attributed to the women of the Ninefold Sisterhoods, we can see that, fundamentally, their roles are to serve as as bridges—to cross, and to help others cross, thresholds of various kinds. As seers, shapeshifters, and vessels of prophecy, they cross between this world and the Otherworld in order to bring back guidance in service to others. As healers and midwives, and receivers of the dead they harness liminalities of sickness and health, death and rebirth. As inciters to battle, intoxicators of kings, and weavers of peace they bridge the spaces that shift one socio-political reality into another. As muses and initiators and granters of Awen they open the doors between the worlds to allow the creative essence of the Universe to flow forth, and catalyze change.
Thus informed by ancient precedent, and centering the attainment of personal Sovereignty as our primary guiding principle, the Avalonian Tradition recognizes that there are many ways to be in service as a priestess of the Holy Isle. When we look at ourselves through the lens of the Ninefold—a powerful organizing principle that, by its very nature and definition, encourages wholeness—it serves as a transformative that assists us in the work of self knowledge necessary to obtain personal Sovereignty. Likewise, when we apply the Ninefold to our work in the world and to our service to the Divine, it helps us to reveal the authentic path of priestessing that is unique to each person and is a reflection of our Sovereign selves. This is possible because, for me, the word "priestess" is a verb: it is something that we do, rather than something that we are.
What follows is an overview of each of the Nine Paths of Avalon, which includes an example of the ways in which the energies of each path can be reflected within. By necessity, this just a brief taste of the Nine Paths, intended to highlight their primary energetics, give examples of their manifestations of service, and demonstrate how this system can be used to guide inner growth and manifest outer change.
The Nine Paths
The Ninefold Way of Avalon is a path of priestessing that acknowledges and encourages the full spectrum of our spiritual gifts; it honors a diversity of service to the Goddesses of the Holy Isle, the communities in which we work, and the Sovereign selves we seek to actualize. Becoming the person we are meant to be—authentic, empowered, and whole—is the ultimate manifestation of our service to the Divine, because it permits us to be clear vessels of service through which the creative energies of the Universe can flow in conscious acts of co-creation.
1Geoffrey of Monmouth, "The Life of Merlin," trans. John Jay Parry, Vita Merlini: The Life of Merlin (Sacred Texts), accessed August 26, 2022, https://www.sacred-texts .com/neu/eng/vm/index.htm, lines 916–928